Sometimes it takes outsiders to point out truths about society at large, especially when it comes to that fundamental social unit, the family. In Andrew Dosunmu’s “Mother of George,” a woman in a Nigerian community in Brooklyn is presented with a drastic alternative when she fails to bear a child. Not your everyday dilemma, but as depicted in this lushly detailed and passionately performed melodrama, the mores and traditions of this sequestered, seldom depicted group take on a broader relevance.
Dosunmu brings the Brooklyn Nigerian community to life from the start with a gorgeously shot wedding scene in which clothes, faces, even walls radiate with vibrant, saturated colors that are nearly palpable. But in the midst of the festivities, disquieting exchanges occur. Full story for BostonGlobe.com subscribers.
Peter Keough can be reached at firstname.lastname@example.org.