boston.com Arts and Entertainment your connection to The Boston Globe
MOVIE REVIEW

Blunt struggles to find his groove

James Blunt
With: Sarah Blasko
At: the Paradise, Friday

With a debut album that went to No. 1 in his native UK and sold more copies this year than any other artist not named Coldplay, James Blunt could easily have viewed Friday's sold-out show at the Paradise as a simple extension of his British success. But ''Back to Bedlam" had been out in the United States for barely four weeks, less time than it spent atop the British charts, and his performance and the reception he received revealed a singer still in the process of winning over his audience.

Possessed of a high, tremulous voice reminiscent of Simply Red's Mick Hucknall and John Ondrasik of Five for Fighting and backed by a five-piece band, Blunt touched on all of ''Bedlam." The material seemed designed to wring as much sensitivity out of him as possible, and there were times when it was overwhelming, with ''Cry" rewriting the sentiment of ''You've Got a Friend" with a febrile poesy and ''No Bravery" alternating clunkily specific wartime imagery with a maddeningly vague refrain.

That was one of two songs Blunt performed solo on keyboard, and despite (or because of) his warnings that they would make the audience miserable, the noisy chatter was enough for him to stop ''Goodbye My Lover" and shoot a death glare at the crowd before restarting from scratch. He got back on track with the midtempo organ ballad ''Tears and Rain," and his cover of ''Where is My Mind?" worked surprisingly well. But if Blunt has come quite a ways from his last Boston visit a few months ago, which he claimed was attended by about 25 people, it was clear that he can't take his overseas popularity for granted.

Australian singer Sarah Blasko opened with her own fragile compositions, sung in a throaty drawl that could swerve into a Thom Yorke wail. She also scrapped a particularly delicate song in the middle but was more circumspect about it, acknowledging that it was less appropriate for the chatty atmosphere than the louder, loop-oriented one that replaced it.

SEARCH THE ARCHIVES
 
Today (free)
Yesterday (free)
Past 30 days
Last 12 months
 Advanced search / Historic Archives