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Their persistence and pluck pay off

In-person and virtual aid from a guitar great

Sarah Rodman honed her guitar skills after meeting with Nils Lofgren and taking his online lessons. James Reed is learning banjo from visiting Tony Trischka’s virtual school. Sarah Rodman honed her guitar skills after meeting with Nils Lofgren and taking his online lessons. James Reed is learning banjo from visiting Tony Trischka’s virtual school. (Essdras M Suarez/Globe Staff
)
By Sarah Rodman
Globe Staff / November 8, 2009

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“That sounds pretty good, actually.’’

The words rang in my head and made me a little shakier than I was already feeling. Nils Lofgren was saying that my attempt at a rudimentary chord was tolerable.

Lofgren, the incredibly gracious and patient guitarist for the E Street Band, had mind-bogglingly agreed to give me an in-person lesson to demonstrate how his burgeoning online guitar school (www.nilslofgren.com) works. In about 20 minutes he had me strumming away on basic chords and even playing a one note solo.

The idea of online lessons was appealing for many reasons: I could embarrass myself without any witnesses. I wouldn’t be trying anyone’s patience but my own. Heck, I could even sing along! (If I ever actually reached a point where what I was playing resembled a song as opposed to a set of lurching swipes.)

Unsurprisingly, trying to master an instrument as an adult can be like going on a diet while trying to learn a new language. It requires discipline, practice, and a high tolerance for self-loathing.

After the live session with Lofgren I was on a high and committed to making it happen.

I downloaded his first beginner lesson and practiced between three and five times a week for 20 to 90 minutes in the first two weeks. (A brief vacation helped.) One night I was enjoying trying to force my left hand to stretch for a G chord so much that I actually considered postponing dinner with a friend.

Lofgren’s instructions were as promised: easy to follow, deliberately paced, and fun with a lot of demonstration and a bit of theory. Best of all he offers one-finger versions of chords that you can play right away. I had no delusions of Steve Vai flights, but moving fluidly between chords was much harder than I expected. I was, however, encouraged that my sense of rhythm was pretty good.

Even as I enjoyed the online lesson perks - no wasted gas! a dress code of sweats! - the negatives of not having an in-the-flesh teacher also became apparent.

Over the next month, there was no instructor to frustrate, but there wasn’t anyone to motivate either. I tried to keep an imaginary Lofgren on my shoulder, repeating those magical words: “That sounds pretty good actually.’’ But he began to fade, as did my inclination to practice, since I was only accountable to myself. It was partially the common, sometimes valid, excuses for putting anything off: lack of time and energy and a full DVR. (The guitar would sit in the corner mocking me as I chose “30 Rock’’ over trying to rock). Plus, I had the added impediment of living with two accomplished musicians, one a Berklee alum, whom I lived in terror of overhearing my neophyte fumblings.

I haven’t given up though, practicing now about two to three times a week for shorter periods. I think the online component helps here. The lessons live in my laptop, so I can go back to them without any extra expense or tsk-tsking over what I might have forgotten.

Country songwriting legend Harlan Howard talked about a good song being three chords and the truth. At the moment, I have three chords (G, A, and E minor), but the sad truth is that I’m still a ways off from turning them into anything. But my virtual teacher has me excited about the possibilities - only being a click away.

Sarah Rodman can be reached at srodman@globe.com.

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