This week’s Boston Symphony Orchestra program, featuring guest conductor Ludovic Morlot, had former music director James Levine’s fingerprints all over it. There was a substantial modernist first course (John Harbison’s Symphony No. 4, restarting the BSO’s two-season survey of his symphonies), then, appropriate for the day after Thanksgiving, rich leftovers: Ravel’s “Daphnis et Chloé’’ Suite no. 2, which the BSO played in 2010, and Gustav Mahler’s Symphony No. 1, heard at Tanglewood last summer. But Morlot put his own stamp on the music.
For more from BostonGlobe.com, sign up or log in below
To continue, please sign up or log in to BostonGlobe.com
Access the full articles and quality reporting of The Boston Globe at BostonGlobe.com
Sign up
Unlimited Access to BostonGlobe.com for 4 weeks for only 99¢.
Are you a Boston Globe home delivery subscriber?
Get FREE access as part of your print subscription.
BostonGlobe.com subscriber
Click to continue reading this article or to log in to BostonGlobe.com.



