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He's your man

Posted by James Reed July 25, 2006 12:06 PM

I wasn't a huge fan of the tribute concert film "Leonard Cohen: I'm Your Man," even though I adore Cohen and most of the featured performers. The camera needed to back away from its extreme closeups and lose the cheesy production quirks (an echo effect on the word "Suzanne"? Give me a break). And along with fellow moviegoers, I had to stifle giggles when Bono and the Edge appeared for hyperbolic commentary that cast Cohen in a biblical light.

Antony 1.jpg

But I left the theater feeling riveted and almost overwhelmed by Antony Hegarty's performance of "If It Be Your Will." Away from his piano and backing band (the Johnsons), Antony (above) fidgeted his way through six minutes of the most hair-raising music I've heard in a while. He looked uncomfortable, as if the song's sentiments were too much for him to sing; it was almost too much emotion for this listener, too.

If you're not sure about seeing the film in theaters, I say save yourself the $10 ticket stub and download a few of the songs from the soundtrack, which came out today. If you don't buy the whole album, may I kindly suggest some highlights:

Antony, "If It Be Your Will"
Martha Wainwright, "Tower of Song"
Jarvis Cocker, "I Can't Forget"
Beth Orton, "Sisters of Mercy"
Teddy Thompson, "Tonight Will Be Fine"
Rufus Wainwright, "Chelsea Hotel No. 2"
Nick Cave, "Suzanne"
Laurie Anderson, "The Guests" (not featured in the film)

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1 comments so far...
  1. Wow! I agree completely. I hadn't even heard of most of the performers before (other than Bono, of course) and I was quite unimpressed by (or even disliked) nearly all the renditions except for "If It Be Your Will" (I think Antony was actually crying towards the end; if he wasn't, it certainly sounded like it, and his face expressed the same) and "Chelsea Hotel #2." In fact, we (my family and I) liked the former enough to rewind (we were watching on DVD at home) and watch it at least two more times, something unusual for us when watching concerts; unfortunately, it was broken by interviews with Cohen, and I have so far not been able to find an uninterrupted version that I can watch/listen to for free on the internet, such as on Youtube.

    Posted by MusicLuvrKid May 17, 09 07:18 PM
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About sound effects Music news and reviews from The Boston Globe.
Sarah Rodman is a staff music critic for the Boston Globe.
James Reed is a staff music critic for the Boston Globe.
Joan Anderman is a staff arts writer and frequent contributor.
Jonathan Perry is the Globe's Scene & Heard columnist, covering local music.
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