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SXSW '09: BLK JKS
From South Africa, BLK JKS (pronounced Black Jacks) skewed the misconception of what African bands should sound like. (The Fader has an interesting story on BLK JKS's background and intentions at here.) Their thick, hulking songs often incorporate elements of African guitar playing, metal, and reggae.
Their big hit, "Lakeside," sounded especially good at the Mohawk last night:
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About sound effects Music news and reviews from The Boston Globe.
Sarah Rodman is a staff music critic for the Boston Globe.
James Reed is a
staff music critic for the Boston Globe.
Joan Anderman is a staff arts writer and frequent contributor.
Steve Greenlee is the Globe's music editor and jazz critic.
Jonathan Perry is the Globe's Scene & Heard columnist, covering local music.
