When you see a show, what do you remember long after the lights have come up and the applause has faded? For many audience members, what lingers in the mind is a single defining moment -- a phrase, a gesture, a song, a crucial pause. Here are the best moments in the local 2006 theater season, according to five notable veteran theatergoers.
Jeff Poulos
Executive director of StageSource
"Caroline, or Change," by Tony Kushner and Jeanine Tesori, at SpeakEasy Stage Company.
"Jacqui Parker's number, 'Lot's Wife, ' was a heartbreakingly beautiful, emotional song toward the end of the second act about the path that she's been down and the incredible challenges she's faced. She brought such emotion and passion to it, and yet in a very subtle presentation."
Kate Snodgrass
Artistic director of Boston Playwrights' Theatre and the Boston Theater Marathon
"Mauritius," by Theresa Rebeck, at the Huntington Theatre Company.
"Sisters Mary and Jackie are fighting over the ownership of valuable stamps. In the final scene, Mary [played by Laura Latreille ], who has been hiding her true feelings for her sister [Marin Ireland ] under the guise of concern and fairness, spits out: 'Burn them! I won't give you anything!' Suddenly, the play's true meaning becomes clear -- it's not about stamps, it's about people."
Jonathan C. Abbott
Executive vice president and chief operating officer of WGBH
"Frozen," by Bryony Lavery, at the New Repertory Theatre.
"The actress [Nancy E. Carroll ] who played the mother of the daughter who was killed was wrenching and captivating. I remember her stepping forward and revealing to the audience her loss and her unaddressable pain. I can't get her out of my head. My wife, Sheri, and I are sitting there as parents -- I didn't know much about what was coming -- but halfway through I just wanted to run home and be with my daughters. That's what theater does to you."
Robbie McCauley
Director, performance artist, playwright, teacher
"Queer Theory," by Thomas DeFrantz, part of the Theater Offensive's Out on the Edge Festival.
"Thomas-Andre Bardwell's lip-synching performance, 'My Queer Popular Music Megamix,' made me laugh and cry and think out loud at the same time."
Catherine Peterson
Executive director of ArtsBoston
"The Pillowman," by Martin McDonagh, at New Rep.
"I have been haunted by how [director] Rick Lombardo married the horrific with the comedic in [it]. For me, it provided some of the theater's most striking moments of the year, with the audience taken for loop after loop (the first great turn occurring with Katurian's simple-minded brother confessing to the murders). The whole show was disarming, shockingly funny, and an extremely effective experience."
"West Side Story," which Boyd will direct, will run an unprecedented five weeks, because of high sales of FlexPass subscriptions. Single tickets will go on sale March 1.
Barrington has always allowed children 13 and under to get in free with a paying adult, and those 14-21 pay half price, Boyd says by phone. "When we did "South Pacific," we gave away $25,000 in free and half-priced tickets. We want the kids." 413-236-8888 , barringtonstageco.org.