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CAMILLE A. BROWN AND DANCERS One of the hottest new creative voices in dance, this pixie powerhouse is known for athletic, theatrical choreography with an edge. Her wide-ranging program includes the world premiere of an African-inspired women’s quartet to M.I.A.’s “Boyz’’ and excerpts from “The Groove to Nobody’s Business,’’ commissioned by Alvin Ailey American Dance Theater. Through July 4. $31-$36. Jacob’s Pillow Dance Festival, Doris Duke Theatre, Becket. 413-243-0745, www.jacobspillow.org (Matthew Karas) |
Arts: the week ahead
JOHNNY BASEBALL A
MENGELBERG AND MAHLER Robert Lohbauer plays the disgraced Dutch conductor in Daniel Klein’s one-man play, which poses tricky questions about art and morality in an occasionally too tricky but still engaging style. Through Sept. 10. Shakespeare & Company, Lenox. 413-637-3353, www.shakespeare.org LOUISE KENNEDY
THE DONKEY SHOW If disco be the food of love . . . oh, wait, wrong play. Diane Paulus’s local debut transmogrifies “A Midsummer Night’s Dream’’ into a Studio 54-style phantasmagoria. Extended through the summer. American Repertory Theater. Oberon, Cambridge. 617-547-8300, www.americanrepertorytheater.org DON AUCOIN
YARDARTS! FESTIVAL This venerable and visionary dance organization celebrates the fifth anniversary of its multidisciplinary festival series with a Friday gala evening of dinner and performance, featuring excerpts from YardArts! Opera, a special appearance by actress Amy Brenneman, Martha Graham’s iconic solo “Lamentation,’’ and the virtuosic “Ella,’’ by Robert Battle, chosen to succeed Judith Jamison as Alvin Ailey American Dance Theater’s new artistic director. If you can’t swing tickets for the gala, a Saturday family matinee offers a free chance to see Battle’s tour de force ode to Ella Fitzgerald as well as Donavon Dietz in Heathcote Williams’s popular one-man theater piece “Whale Nation.’’ Gala July 2, $75-$150. Matinee July 3, 4 p.m., free. The Yard, Chilmark. 508-645-9662, www.dancetheyard.org KAREN CAMPBELL
MATT CONDRON: AD INTERIM Condron’s sparse, beautifully lit paintings of empty chairs are ripe with suggestions of waiting — ‘‘ad interim’’ is Latin for ‘‘in the meantime.’’ Chairs can be read as stand-ins for their occupants, conveying absence and presence at the same time. Through July 30. Arden Gallery, 129 Newbury St. 617-247-0610, www.ardengallery.com PATH TO GROUND: AN EXHIBITION OF ELECTRONIC ARTWORKS Electricity flows to ground, through the path of least resistance. This show features interactive, kinetic, installation, and sound art by students from Massachusetts College of Art and Design’s Studio for Interrelated Media. Through July 10. Axiom Center for New and Experimental Media, 141 Green St., Jamaica Plain. 301-455-3722, www.axiomart.org HYPO TYPO Text in visual art can be provocative, distracting, or consuming. This sprawling group exhibit curated by Snow Project (a.k.a. Michael Dacey and Alex Feinstein) spotlights artists using text in two-dimensional and three-dimensional work. Through July 15. The Distillery Gallery, 516 E. 2nd St., South Boston. 978-270-1904, www.gallery.distilleryboston.com CATE McQUAID
JOHN STORRS: MACHINE-AGE MODERNIST Approximately 40 sculptures and drawings by the American who studied with Rodin and then played an important role in the development of modernist sculpture in America. Through Sept. 3.
DR. LAKRA A survey of the work of the Mexican tattoo artist Dr. Lakra, whose complex designs are inscribed on various found imagery, and also applied directly to the gallery wall in two massive wall drawings. Through Sept. 6. Institute of Contemporary Art. 617-478-3100. www.icaboston.org
EARLY EXPRESSIONS: DRAWINGS BY EDWARD HOPPER Early drawings and illustrations by this beloved American realist, most of them from the collection of the Rev. Arthayer Sanborn, a close friend of the Hopper family. Through July 4. Provincetown Art Association and Museum, Provincetown. 508-487-1750. www.paam.org. SEBASTIAN SMEE ![]()





