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Jacoby, On Art

Posted by Geoff Edgers September 26, 2007 10:38 AM

I almost thought I'd had enough of the on, off situation but along comes Globe columnist Jeff Jacoby. If you're an art world insider, you probably won't agree with what he has to say. But you would be served to listen. Because Jacoby represents a large group of people, i.e. people who think art should be about more than setting up a light on a timer.

An excerpt from the piece:

Either you are sophisticated or cynical enough to gush over the emperor's wonderfully postmodern and transgressive new duds, or you are one of those reactionary rubes who get all hung up on the fact that the emperor actually happens to be naked. If talent and skill aren't required to produce a work of art, if a striving for truth or excellence or beauty has nothing to do with artistic greatness, if craftsmanship and effort matter less than attitude and gimmickry - in short, if there are no standards, then why not fawn over an "artist" who "works with rubbish?" Why not bestow a prize named for J.M.W. Turner - the greatest landscape painter in English history - on a chucklehead who crumples sheets of paper and films people vomiting?

creed2.jpg
Martin Creed won the Turner Prize in 2001 for his installation. (photos by ESSDRAS M. SUAREZ/GLOBE STAFF)

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3 comments so far...
  1. I agree that there are lots of opinions that "represent a large group of people," but we shouldn't let the white noise made by a million mouth breathers dilute what's important. Of course Boston has already displayed, in both the lite brite and the MIT artist at Logan case, that bright lights make it very, very nervous.

    Posted by Crawford September 27, 07 09:50 AM
  1. I usually find very little to agree with in what Mr. Jacoby writes , but his disdain for the Creed installation and a deeper scorn for much of art makes him a dubious spokeseperson.

    1. The space housing the Creed exhibition isn't an "empty room"- it is a gallery and has been for 34 odd years. This fact Mr. Jacoby could not argue, had he entered the space in recent years, beyond the seeing and experiencing things he would surely deride, compared to other gallery spaces would not be so easily overlooked.

    2. Artists think and consider the world differently from say, electrical engineers. At their best they provide the means to inspire discussion that transcends the elements of their work. To say such things lack depth and mock them is a common defense for an inability or inpatience to consider them, and belies that fact that the mocking might be part of the process of understanding.

    3. Look outside the "empty room" , and find a neighborhood of riches, in large part preserved and enlivened by artists whose work transcends the beauty standard prescribed here.That the South End's creative spirit (the kind that alarms or raises scorn in his large group of people) made it desireable for those of means to invest and live here is as telling as it is disconcerting.

    4. Mr. Jacoby takes delight in perpetuating the dangerous myth of the spendthrift artist- using public monies for obscene or nonsense work slapped together without merit. In a city and time when art's highest calling is often to match the new sofa, such a blanket statement dismisses a majority of art as useless and disconnected from what average people want or believe, without offering fair balance to other work that, being less polarizing, would go ignored by many peopl.e

    Beyond its aesthetic values, art has a duty to provoke, comfort, and stun us from one mindset into, even briefly, another with which to view the world.

    Not all art is good art, or of quality and depth- but the challenges of bringing people to experience art and peformance being what they are, we have no need to abet people in dismissing what they have not experienced.

    Posted by WDB September 28, 07 07:11 AM
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    Posted by Walt July 1, 09 06:51 PM
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About Exhibitionist Geoff Edgers covers arts news for The Boston Globe..
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