When the Smithsonian acquired Archie Bunker’s chair from the seminal TV comedy ‘‘All in the Family,’’ Bowers said, museum officials took plenty of flak from those offended that some sitcom prop was being placed down the hallway from the nation’s presidential artifacts.
The University of California, Santa Cruz, took similar heat when it accepted the Grateful Dead archives, 30 years of recordings, videos, papers, posters and other memorabilia gifted by the band, said university archivist Nicholas Meriwether.
‘‘What I always graciously say is that if you leave the art and the music aside for one moment, whatever you think of it, what you can say is they are still a huge part of understanding the story of the 1960s and of understanding the nation’s counterculture,’’ says Meriwether.
Comisar sees his television collection serving the same purpose, tracing societal changes TV shows documented from the post-World War II years to the present.
The Academy of Television Arts and Sciences Foundation looked into establishing such a museum some years back, and Comisar’s collection came up at the time, said Karen Herman, curator of the foundation’s Archive of American Television.
Instead, the foundation settled on an online archive containing more than 3,000 hours of filmed oral history interviews with more than 700 people.
While the archive doesn’t have any of Mr. Spock’s ears, anyone with a computer can view and listen to an oral history from Spock himself, the actor Leonard Nimoy.
Comisar, meanwhile, believes he’s finally found the right site for a museum, in Phoenix, where he’s been lining up supporters. He estimates it will cost $35 million and several years to open the doors, but hopes to have a preview center in place by next year.
Mo Stein, a prominent architect who heads the Phoenix Community Alliance and is working with him, says one of the next steps will be finding a proper space for the collection.
But, really, why all the fuss over a place to save one of the suits Regis Philbin wore on ‘‘Who Wants to be a Millionaire"?
‘‘In Shakespeare’s time, his work was considered pretty low art,’’ Comisar responds.
Oh, he'll admit that ‘‘Mike and Molly,’’ the modern TV love story of a couple who fall for each other at Overeaters Anonymous, may never rank in the same category as ‘‘Romeo and Juliet.’’
‘‘But what about a show like ‘Star Trek'?’’ he asks.