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★ ★ ★ Barbara An exiled East Berlin physician (Nina Hoss) has just arrived in a provincial hamlet on the Baltic Sea, where she quietly plots her escape to West Berlin while seeing patients and avoiding the advances of a brawny doctor (Ronald Zehrfeld), who’s been conscripted by the Stasi to pass along intelligence on her. The movie’s quiet power comes from its air of meticulously maintained suspicion. In German, with subtitles. (105 min., PG-13) (Wesley Morris)
★ ★ ½ Cirque du Soleil: Worlds Away 3D This moderately enjoyable film makes good use of 3-D technology but lacks the awe-inspiring visual and aural aplomb of Montreal-based Cirque du Soleil’s live shows. The story, told without dialogue, concerns a gamine who follows a handsome aerialist into another universe where the audience is treated to a compilation of acts from Cirque’s Las Vegas shows, including “O,” “Kà,” “Mystere,” “Zumanity,” and “The Beatles’ Love.” (91 min., PG) (Loren King)
★ ★ ★ ½ Django Unchained In Quentin Tarantino’s clear-eyed and completely out of its mind exploitation western, Jamie Foxx plays a freed slave in 1853 on the way to rescue his wife (Kerry Washington) from a Mississippi plantation. Tarantino has never been more himself than he is here: grisly kitsch rigged for shock in a way that refuses to cheapen the atrocity of its subject. With Christoph Waltz, Leonardo DiCaprio, and an audacious Samuel L. Jackson. (165 min., R) (Wesley Morris)
★ ★ ½ The Guilt Trip Barbra Streisand as a noodgy mom and Seth Rogen as a stressed-out son in a tiny car driving across America. It’s silly, predictable, and surprisingly sweet — the sort of thing you can and probably should take your own mother to. The stars are believable as parent and child, but who’s the father, Fozzie Bear? (95 min., PG-13) (Ty Burr)
★ ★ Jack Reacher The former supersoldier of Lee Child’s novels is now Tom Cruise, and his mission in this maiden outing involves clearing the name of a man accused of killing five people. The deaths are terrible, but the stakes are so low. Cruise works hard, as usual. But he’s so desperate to save us from atrocity and mediocrity that he’s forgotten to save himself. (131 min., PG-13) (Wesley Morris)
★ ★ ½ Les Misérables What’s great about the first half of Tom Hooper’s gigantic film of the musical is the balance it strikes between the misérable and the miz. After 2½ hours, the movie becomes a bowl of trail mix — you’re picking out the nuts you don’t like and hoping the next bite doesn’t contain any craisins. With Hugh Jackman and Anne Hathaway, who are wonderful, and Russell Crowe, who’s not and it breaks your heart (and hurts your ears). (157 min., PG-13) (Wesley Morris)
★ ★ Parental Guidance You really can make a bad family movie less terrible. The people responsible for this bland exercise in sentimentality and rambunctiousness have done an honorable enough job, chiefly through casting. Bette Midler and Billy Crystal baby-sit for Marisa Tomei and Tom Everett Scott, and their limits to humiliation are kind of a relief. It’s: “I’ll do anything for this movie, but I won’t do that.” (96 min., PG) (Wesley Morris)
★ ★ ★ Rust and Bone From Jacques Audiard (“A Prophet”), a twisted yet surprisingly ordinary love story about a kickboxing single dad (Matthias Schoenaerts) and a killer whale trainer (Marion Cotillard) whose legs get bitten off. Cotillard’s fearsome intensity and the glowing Antibes vibe make it worth seeing. In French, with subtitles. (120 min., R) (Ty Burr)
★ ★ ½ This Is 40 A “sort-of sequel” to 2007’s “Knocked Up” that focuses on that film’s supporting characters, Pete (Paul Rudd) and Debbie (Leslie Mann), as they grapple with a stalled marriage. Judd Apatow has made a contradiction in terms — a personal Hollywood comedy — that has good coarse laughs without ever coming to a point. (134 min., R) (Ty Burr)
★ ★ ½ Anna Karenina Joe Wright’s adaptation of the Tolstoy classic staggers under the weight of a dazzling, hermetically sealed visual style that fails to connect with our emotions; the entire movie seems to take place in a snow globe. The cast, led by Keira Knightley, is good, although Aaron Taylor-Johnson’s Vronsky may be too much the boy-toy. With Jude Law. (130 min., R) (Ty Burr)
★ ★ ★ ½ The Central Park Five A scrupulous, singeing documentary by Ken Burns, his daughter Sarah, and her husband David McMahon, that reconstructs the notorious series of events that occurred in the spring of 1989 after a young white investment banker was beaten and raped while running in Central Park. The film focuses on the five teenagers — four black, one Hispanic — who were rounded up, sentenced, and convicted after falsely confessing to the crime. (119 min., unrated) (Wesley Morris)Continued...