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| February 20, 2013 |
The movies: loving the silver screen
The lure of a good story on a big screen remains universal. Though we watch movies in new ways made possible by mobile devices, streaming services, and private copies, the social experience of gathering in the dark to be transported together in collective imagination is undiminished. Almost every country has an awards ceremony or film festival, making the upcoming Academy Awards just one of an endless parade for film lovers. Gathered here are images showing us watching, making, and celebrating the motion picture. -- Lane Turner (40 photos total)

A woman dressed as zombie eats during a zombie run on the outskirts of Kuala Lumpur, Malaysia on February 2, 2013. Horror films have become increasingly popular in recent years after effectively being banned in the Muslim-majority country for three decades. In 2011, the genre made up more than a third of domestic movies. (Saeed Khan/AFP/Getty Images) #

A film crew shoots in a Baghdad street on October 18, 2012. The din of power generators, tangle of jerry-rigged electric wiring and hassle of security checkpoints are all part of the movie business in Iraq, not to mention the lack of studio space and dearth of experienced crews. War and international sanctions have left most of Iraq's infrastructure and industry in shambles, including the movie industry. But the return of government funding means a new start for many local directors, even if the amounts are small by international standards. (Mohammed Ameen/Reuters) #

Indian artist Ranjit Dahiya works on a mural of Bollywood star Rajesh Khanna as part of Bollywood Art Project in Mumbai on July 25, 2012. BAP is an urban public art project that aims to transform the walls in Mumbai into a living memorial to Bollywood to commemorate 100 years of Hindi cinema. (Rajanish Kakade/Associated Press) #

A man helps prepare in a dusty, dimly lit Kabul basement where British cinema fan club "Secret Cinema" launched their first movie event outside Britain on December 8, 2011, bringing costume, audience participation and light-hearted mystery to the high-security Afghan capital. (Ahmad Masood/Reuters) #

Lucy Carr, a specialist on entertainment memorabilia, places Charlie Chaplain's iconic bowler hat and cane back into a display case during a press preview at auction house Bonham's in Hollywood on November 15, 2012. The trademarks of Chaplin's Little Tramp character are in "remarkable condition" and are estimated to go for between $40,000 and $60,000. (Frederic J. Brown/AFP/Getty Images) #

People pass a poster of the movie "After the Battle" outside a cinema in Cairo on October 16, 2012. When horse and camel riders attacked protesters in Cairo's Tahrir Square during last year's uprising, Egyptian filmmaker Yousry Nasrallah was struck by one of the most vivid examples of how Egypt's huge class divide is exploited by powerful elites. Nasrallah's "After the Battle" tells the story of how one of the horsemen struggles to come to terms with his role in the aftermath of one of the most violent incidents of the 18-day-uprising which toppled former President Hosni Mubarak in February 2011. (Mohamed Abd El Ghany/Reuters) #

The movie "Fargo" is projected onto the downtown Radisson in Fargo, N.D. When the movie Fargo debuted in 1996, many residents in the North Dakota city were not fans of the film's dark humor, not to mention the heavy accents. But the fame and cash from the movie eventually brought many Fargo residents around. (Darren Gibbins/The Forum/Associated Press) #

Cinema goers watch a Bollywood film at Ariana Cinema in Kabul on May 3, 2012. Once a treasured luxury for the elite, Afghan cinemas are dilapidated and reflect an industry on the brink of collapse from conflict and financial neglect. Kabul's cinemas show Pakistani films in Pashto, American action films, and Bollywood to rowdy, largely unemployed crowds in pursuit of any distraction from their drab surroundings. (Danish Siddiqui/Reuters) #

Crew members produce an episode of Tekzilla at Revision3 in San Francisco on October 3, 2012. Revision3 is part of an entire new industry of YouTube. YouTube embarked on an initiative to invest hundreds of millions of dollars to acquire original, professional content in an effort to compete for ad dollars against traditional television networks, digital streaming services such as Netflix and rival Internet companies like AOL and Yahoo. (Noah Berger/Reuters)#






























