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Daniel Melnick, 77; produced hit movies and TV shows

DANIEL MELNICK DANIEL MELNICK (Tri-Star Pictures Inc.
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By Valerie J. Nelson
Los Angeles Times / October 19, 2009

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LOS ANGELES - Daniel Melnick, a producer and former head of production at MGM and Columbia studios who was known for making literate and carefully crafted films such as “Network,’’ “All That Jazz’’ and “Roxanne,’’ has died. He was 77.

Mr. Melnick, who had recently undergone surgery for lung cancer, died Tuesday of multiple ailments at his home in Los Angeles, said his son, Peter.

“He was an extraordinary producer and an extraordinary executive,’’ Sherry Lansing, a former studio executive whom Mr. Melnick mentored, said Wednesday. “He always thought out of the box and was never afraid to take a risk. His films stand the test of time.’’

Inspired by the success of James Bond movies, Mr. Melnick made his mark on popular culture with the 1960s spy-spoof television series “Get Smart’’ that starred Don Adams as bumbling secret agent Maxwell Smart.

“James Bond and Inspector Clouseau - those are the two biggest hits out there. Take a hint,’’ Mr. Melnick told his writers, Buck Henry and Mel Brooks, according to a 2008 article in the Santa Fe New Mexican.

“Get Smart’’ won several Emmy Awards, but Mr. Melnick received his in 1966 for producing “Ages of Man,’’ which featured John Gielgud in a Shakespearean turn, and 1967 for a presentation of “Death of a Salesman.’’ Mr. Melnick shared his Emmys with producing partner David Susskind.

The first film Mr. Melnick produced was Sam Peckinpah’s violent “Straw Dogs,’’ which starred Dustin Hoffman. Released in 1971, it led to Mr. Melnick being offered a job at MGM, his son said.

After joining the studio in 1972, Mr. Melnick rose to head of worldwide production, mining the vaults to help create the “That’s Entertainment’’ greatest hits franchise. He also oversaw such films as the Neil Simon comedy “The Sunshine Boys’’ and “Network,’’ the 1976 biting satire of television that fore- shadowed the ensuing decades.

While in charge of production at Columbia in the late 1970s, he helped develop the divorce drama “Kramer vs. Kramer,’’ the nuclear drama “The China Syndrome,’’ and the violent “Midnight Express.’’

For nine months in 1978, Mr. Melnick was president of Columbia after studio president David Begelman was ousted in an embezzlement scandal.

The next year, Mr. Melnick produced Bob Fosse’s “All That Jazz,’’ which earned praise for experimenting with the musical genre, and followed with 1980’s “Altered States,’’ a sci-fi horror film that starred William Hurt. Mr. Melnick returned to the musical with 1984’s “Footloose,’’ about a teen’s irrepressible need to dance.

While Mr. Melnick was making “Roxanne,’’ the 1987 comedy that starred Steve Martin and updated the story of Cyrano de Bergerac, the pair had lengthy conversations about life, Mr. Melnick later recalled. That led to Martin writing 1991’s “L.A. Story,’’ which Mr. Melnick produced.