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David Sarkisyan; tried to save Moscow buildings

By Sophia Kishkovsky
New York Times / January 30, 2010

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MOSCOW - David Sarkisyan, a former physiologist and film director who became famous as the director of the Shchusev State Museum of Architecture here and for his campaigns to preserve architectural monuments against rampant post-Soviet development, died on Jan. 7 in Munich, where he had been hospitalized. He was 62.

The cause was lymphoma, said Joseph Backstein, commissioner of the Moscow Biennale of Contemporary Art and a friend.

Under Mr. Sarkisyan, the museum, in a prerevolutionary compound around the corner from the Kremlin, became a center of efforts to halt destruction of everything from centuries-old mansions to modernist masterpieces and even the Central House of Artists, constructed under Leonid Brezhnev in the late Soviet era, a period that has few architectural defenders.

Mr. Sarkisyan, who was appointed the museum’s director in 2000, warned of a “cultural catastrophe,’’ saying that Moscow was losing its face and character. He was highly critical of Mayor Yuri Luzhkov and his wife, Yelena Baturina, a billionaire real estate magnate.

His battles were hard fought but often futile. Thousands of signatures collected by the museum and vocal protests were not enough to save Voentorg, an early-20th century department store located directly across the street from the museum’s main building. It was replaced by a new building that many regarded as a poor imitation of the old one.

Moscow developers and city officials often contend that old or poorly maintained buildings are too damaged or too costly to save. Mr. Sarkisyan had proof in the courtyard of his museum of how such buildings could be put to worthy use.

The museum was short of money to restore one of its wings, so Mr. Sarkisyan turned it into a conceptual exhibition space called the Ruins. The uncovered brick walls and crumbling floors and ceilings of the unheated space effectively became part of each show.

David Sarkisyan had careers as a physiologist; as a pharmacologist, who helped develop a drug for treating Alzheimer’s disease; and as a film and television director.

He lived for a time in France, where he walked with the actress Jeanne Moreau on the red carpet at the 1991 Cannes Film Festival. He was assistant director on the film “Anna Karamazoff,’’ which was in competition in 1991 and starred Moreau.