< Back to front page Text size +

The March "Nighttime" Final 50

Posted by Teresa Hanafin, Boston.com Staff April 9, 2009 03:30 PM

Our March judge, professional photographer Lance Keimig, has made his selection of the 50 finalists from among 300 photos entered in the "Nighttime is the right time" contest.

Lance, based in Pembroke, is best known for night photography of the built environment. He is writing a book, "Night Photography: Finding Your Way In The Dark", that will be published by Focal Press in May of 2010. He is the curator of Darkness, Darkness, a traveling exhibit of night photography, and of the Three Columns Gallery at Harvard University.

He teaches Night Photography at the New England School of Photography in Boston, and also leads workshops and photo tours in California, Texas, Massachusetts, Ireland, and Scotland. Keimig founded the Mono Lake Photo Workshops in 2003 in California to promote interest in the fragile ecosystem of the Eastern Sierra through photography, and is also a cofounder of The Nocturnes Night Photography Workshops in San Francisco.

His photographs are held in numerous collections, including The Art Complex Museum, The Boston Athenaeum, The Boston Public Library, State Street Bank, Fidelity Investments, Paramount Partners, Hitachi, Rayovac, 3 Com, and other corporate collections.

Information on workshops, classes, and tours, as well as examples of his work, can be seen on Lance's website, The Night Skye.

His thoughts on your Nighttime shots, and the Final 50:

"Night Photography is compelling for many reasons. Normally, the act of  'taking' a photograph is subtractive in nature. The photographer extracts an instant from time, freezing history on film in a fraction of a second. Night Photography is an additive process. The night is a canvas on which to build an image over the course of time. Minutes, or even hours, are compounded on top of each other, forced onto a single frame of film. Night Photography is the expression of time in a way that we cannot perceive with our own senses. We experience time as a continuous flow, but a Night Photograph is a representation of time compressed into a single moment.

"The things that I looked for when judging the 300 submitted photographs were: 

1. Atmosphere, mystery, and mood-suggestion is more important than literal interpretation in Night Photographs.

2. Technical mastery. A well-exposed, well-composed image. Those with a DSLR and post-processing software have a distinct advantage over those with straight-from-the-point-and-shoot jpgs.

3. A sense of playfulness and creativity.

"I want to say first that there were a number of compelling images that were not included in the final edit simply because they didn't fit within the parameters of the contest rules, or within my definition of what makes a strong night photograph. For example, there were several good fireworks shots that didn't make the cut not because they weren't well executed, but because I was looking for subject matter that went beyond the visual clichés of neon signs, postcard views, Christmas lights, and fireworks. There were also a number of good images that were taken at dusk, and the contest rules required that the submitted images were taken after it was completely dark.

"It was great to see so many really strong night images. It's obvious that the RAW Dawgs are passionate about photography!"

Okay, you've waited long enough. Here's the Final 50 Gallery. We'll put up the Voting Machine tomorrow.

  • CommentComment
  • Email E-mail

Email this article

Invalid email address
Invalid email address

Sending your article

Your article has been sent.

19 comments so far...
  1. Nice group, and not just because I am back in the 50 after a few months of not making the cut!

    Posted by Pat Glennon April 9, 09 09:50 PM
  1. Haha Pat, nice to see you back in there since being featured by the Globe for your 365. I'm in for the first time (it's also the first time I've entered the contest)

    Posted by Craig Stevens April 9, 09 11:24 PM
  1. WOW, those pictures are pretty amazing! I would not know how to choose which one should win!

    Posted by Anonymous April 10, 09 08:35 AM
  1. I finally made it! yay!

    Posted by Taking photos all day & NIGHT long... April 10, 09 11:27 AM
  1. Not because I didn't make the top 50 ... no biggie ... but there are SO many pictures of buildings (Boston) that they seemed repetitive, even though nicely executed. Would have liked to have seen more subject diversity ... but then again, I'm not the expert! Good luck picking the winner!

    Posted by photoH April 10, 09 12:51 PM
  1. photoH, that was my thought when I was deciding what to submit. I tried to get a little creative with my subject matter. Served me well so far, we'll see how it goes from here. There may be many cityscapes and the like, but some of them are very good.

    Posted by Pat Glennon April 10, 09 01:09 PM
  1. For the first time I am disappointed with your final choices, and no, I do not have a photo entered. I question if some of these were even taken at night, and others are just a blur of lights. Not a good representation of 'nighttime', in my opinion. There are several amazing pictures in the top 50 that are right in line with the theme, but shouldn't they all be? My kudos to the talented photographers, just not to the final choices!

    Posted by aquarius April 10, 09 02:43 PM
  1. I agree ... I saw many photos which were not taken at night and was surprised that they were chosen to be in the top 50. There are some very creative photos (and some very repetitive ones as well) in the bunch; I look forward to voting!

    Posted by Hannah April 11, 09 06:09 PM
  1. Hi, aquarius and Hannah: I saw your comments questioning whether all of the photos actually were taken at night. I can assure you that they were; I checked the time stamp found in the EXIF data. I think what may be throwing you off are the light skies in some of the pictures. That's caused by a very long exposure. For example, the photo of the tractors was taken at 10:30 p.m., but it was exposed for 8 minutes so the photographer could capture the movement of the stars in the sky. The photo of the blown tree with the picnic bench was a 15-second exposure. The railroad crossing photo was taken at 11:26 p.m., but exposed for more than 5 minutes -- again, to catch the star trails. As Lance said in his comments above, by its very nature, Night Photography is an expression of time. Sometimes the techniques used to capture a night photograph yield results that the naked eye cannot see.

    Posted by Teresa April 11, 09 08:35 PM
  1. I think my favorite thing about night photography is how creative and abstract your photos can be ... a group of 20 people can approach the exact same subject and get something completely different out of it.

    Don't let your eye tell you which of the photos in these galleries are night photos; they all are ... instead, go check out the Night Images pool on flickr, or Lance's site (thenightskye.com), or Jill Waterman's book "Night and Low-Light Photography." You'll see an amazing range of night photography, and if you're in the Boston area take Lance's class at NESOP!

    There are some amazing photos in the Top 50, and I seriously hope none of them are damaged by a limited view of what a night photograph is.

    Posted by Ben April 13, 09 10:53 AM
  1. The EXIF data, like a digital image, or a computer file's time stamp, can be modified. Sigh, we live in a world that nothing is sacred anymore.

    Posted by fairnsquare April 14, 09 10:04 AM
  1. Fairnsquare/hannah/aquarius,

    While the EXIF can be modified, which photo(s) do you feel are not night photos? In the top 50 I don't spot any that look suspect.

    Posted by bp April 14, 09 11:17 AM
  1. I don't doubt for a moment that all of these photos were taken at night. However, regarding the EXIF data, I checked some of my photos. I suspect most photographers don't reset their time data when traveling. An image taken at about 8PM records at about high noon. Just a thought!

    Posted by Mary Schiess April 14, 09 11:21 AM
  1. fairnsquare, can't the EXIF data cut both ways? If you don't set your camera's time and date, couldn't a photo that was truly taken at night appear to have been taken during the day?

    Posted by Jeanette April 14, 09 11:36 AM
  1. I'm sure my photo is one of the photos people are referring to as being shot "in the daylight."

    It's a totally baseless accusation, but I'm sure the judges will recognize the truth of it. I'm 100% sure every photo here is a night photograph, and the folks who say otherwise should back up their ridiculous claims.

    Posted by bprivett April 14, 09 02:26 PM
  1. Regarding my EXIF comment:

    - I have yet to view this gallery, and the comment is not about whether the images are taken at night or not.

    - Nor did I imply or suggest that the submitters might have altered their images' EXIF data.

    - But it is meant to be a caution that the EXIF data can be altered, and should not be treated as "factual" or "real". Many things in our lives have changed in this digital age, not all for the better. If I recall correctly, photos are no longer considered "factual" evidence in some courts.

    Posted by fairnsquare April 14, 09 02:27 PM
  1. About whether the images were taken at night or not (still haven't viewed them yet), perhaps reading Lance's "The things that I looked for" would help. In particular, what he is NOT looking for,

    "1. Atmosphere, mystery, and mood-suggestion is more important than literal interpretation in Night Photographs."

    An image shot under a particular lighting condition can be rendered to look like it is shot under a totally different lighting condition. Many do so on purpose, or out of necessity. Part of Truffaut's "Day for Night" is about shooting a movie during the day and making it appear to happen at night.

    http://en.wikipedia.org/wiki/Day_for_Night_(film)

    Will you be happier if an image is shot at noon (and "verified" by its EXIF), but looks like it is at night?

    If the debate is about whether some images comply with the contest's theme or not, that's another story. If RAW really wants to be specific about a theme, then they would spell the constraints out, such as "night means between 8:00PM and midnight". But for what purpose? It would only take away the creativity.

    Perhaps a better comment would have been, "I can't see how this image has anything to do with the theme." Now that's something worth debating.

    Posted by fairnsquare April 14, 09 03:07 PM
  1. Not sure what the fuzz is about whether the photos are shot at night or not. Many images are shot under one lighting condition, but the final images are made to appear to be under a different lighting. The technique is nothing new. Truffaut's "Day and Light" is a good example:

    http://en.wikipedia.org/wiki/Day_for_Night_(film)

    A contest's theme is just a general guideline, and how strictly the submissions should comply with it is entirely up to the judges. (Unless the submission rule says, "Must be shot between 8:00PM and midnight." But then, the questions would be where on earth, or what season.) Lance made it very clear that he was not looking for anyting "literal". With this in mind, consider the following two images (regardless of what the EXIF data say):

    - image A was shot at noon, and made to appear to be at midnight
    - image B was shot at midnight, and made to appear to be at noon

    Which of these images would you consider to be not complying with the theme?

    OTOH, if you think that some images don't seem to have anything to do with the theme, that would be a much more worthy topic for discussion.

    Posted by fairnsquare April 15, 09 08:44 AM
  1. Judge Lance Keimig responds:

    I think both sides have been covered pretty extensively. I just have three comments to add.

    1. A night photograph can appear as dark as Guinness or as bright as high noon. It's all a question of exposure. Light accumulates on film or sensors over time, and given enough time, it's possible to expose (or over-expose) a photograph in almost any lighting conditions.

    2. Having been on both sides of juried contests many times, I know that not everyone will agree with the juror's choices. There have certainly been a number of competitions that have left me scratching my head when I saw the winners. That said, it is the juror who makes the choices and gives the awards. You just have to accept that a judge may not have the same taste as you.

    3. I recognized the work of several of my students in the pool of 300, and there were several more that I did not recognize. I felt that it would not be fair to pick the award winners under these terms, so I asked my friend Christian, (who has different tastes in Night Photography than I do) to pick the winners.

    Posted by skyephoto April 30, 09 05:36 PM
add your comment
Required
Required (will not be published)

This blogger might want to review your comment before posting it.

JOIN THE RAW DAWGS

Welcome to your community for New England's amateur photographers. Take pictures ... get published ... win money ... have a blast!
Upcoming events

Monthly Contest

NOVEMBER'S THEME Silhouettes

Convey emotion, set a mood, or create an air of mystery ... silhouettes can convey a lot in a handful of pixels. It's a challenging theme; position your subject in front of a light source, and expose for the light. One rule: Your photo must be taken this month.
Deadline: Midnight November 30

Read more about the November theme

2009 winners: Sep / Aug / July / June / May / Apr / Mar / Feb / Jan

2008 winners: Dec / Nov / Oct / Sept / Aug

Lee Cullivan

PHOTOGRAPHER OF THE WEEK

Lee Cullivan
Belmont

Lee's photography has followed the path of his life: From landscapes in his beloved Maine, to images of the urban landscape when he moved to Boston, to photos of his children. And even though technical skill is important to his work, his main goal is to have fun.

Lee's essay and photos

On Assignment

PhotoWalks of Boston

PhotoWalks of Boston

Kati Seiffer of Burlington has lived in metro Boston for years, but took a fresh look on a PhotoWalks tour.

Tipsheets

Photo critiques

'Work' the picture

'Work' the picture

Tom Henry of Brighton only recently converted from film to digital photography, and says he has rediscovered his art.

OTHER PHOTO SITES

Boston Globe Photography
A showcase of the best work by the Globe's award-winning photo staff.
The Big Picture
News stories told in photographs, compiled by Alan Taylor of the Boston.com staff.
Big Shots
The best sports photography of the week, compiled by Globe photo editor Lane Turner.