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Head-2-Head Reviews:
Olympus EVOLT E-30 vs. Canon EOS 50D

Posted by Teresa Hanafin, Boston.com Staff August 20, 2009 02:53 PM
 
Matchup Graphic

By Alex Burack
Editor-in-chief, Head-2-Head Reviews

Introduction: The Matchup
Canon and Olympus are both major players in the DSLR space, stocking a range of interchangeable lens cameras for photographers of all levels. The 15.1-megapixel Canon EOS 50D and the 12.3-megapixel Olympus EVOLT E-30 occupy similar positions in their respective lines, balancing automation and versatility at a low four-digit price point. Both cameras integrate a familiar collection of point-and-shoot support, though not at the expense of performance or control. Priced just beyond the $1,000 mark, these feature-laden DSLRs arguably offer the best values within their established product lines.

System Overview
Canon maintains a large, proprietary DSLR system backed by CMOS sensors of various sizes. Olympus's DSLRs are built on the Four Thirds standard, a design with fixed sensor proportions that spans multiple manufacturers. Both product lines are supported by an array of high-quality lenses. Canon offers a wider selection, while Olympus's optics are digital-specific, which, in testing, have proved to offer a slight advantage in sharpness.

Olympus E-30 Canon 50D
The Olympus E-30 (left) has a five-way controller on the back made up of five separate buttons. The 50D has Canon's Quick Control Dial flat on the back. It's fast to use for a variety of tasks, notably exposure control, navigating menus and flipping through images in playback. The Olympus implementation is a little clumsier and less attractive, but it's equally efficient in use.


Face Off: Design & Features
The Canon 50D and Olympus E-30 have an assortment of features. Both models deliver the standard options offered in their class -- Dust Reduction, Live View, Burst Mode (5+ fps continuous capture), and Face Detection -- and well beyond.

The E-30's feature set includes a collection of "Art Modes," which the manufacturer touts as something of a creativity preset. The aesthetics are a bit limited, but they do lend a fresh feel to snapshots and encourage experimentation.

The feature set within the Canon 50D is less exciting than the Olympus E-30, though it's generally as usable. The 50D's noteworthy settings include a Creative Auto mode with a shooting reference guide, and a Peripheral Illumination Correction that adjusts the darkened edges of the frame when falloff occurs.

Olympus's inclusion of built-in mechanical image stabilization sets these cameras apart. Unlike Canon, which incorporates a moving element only in select "IS" lenses, the E-30's imaging sensor sits on a mechanism that moves to correct for hand shake, regardless of the lens applied. This is invaluable for live view shooters who hold the camera out at a distance from their body, which could result in a lot of blurry pictures.

Integrated image stabilization can also help reduce blur when taking photos in dim settings, when the light levels don't allow for a quick enough shutter speed to stop motion. Olympus claims 3.5 to 4 stops of compensation and beyond. We can confirm about 2.5 stops on the E-30, though integrated image stabilization is a clear advantage.

The Main Event: Performance & Image Quality
Lab and field tests yielded a split decision. The Canon 50D's larger CMOS sensor performed far more impressively in challenging conditions -- low light, high ISO, and extreme contrast. Images from the 50D consistently retained more information in the highlight values, while shadow noise was less egregious than the Olympus E-30.

The E-30's digital-specific lens offers an advantage in the degree of detail it renders. Its impressive 14-42mm Zuiko kit lens proved sharp enough to virtually negate the approximate 3-megapixel difference between cameras.

Color reproduction is generally the first noticeable image quality element. Saturation and hue are equal parts of its perception, though a shift in saturation is generally easier to correct in Photoshop post capture.

Olympus E30 Natural Canon 50D Neutral
The Olympus offers Vivid, Natural (above left), Muted, Portrait, and Monotone picture modes. The Canon offers Standard, Portrait, Landscape, Neutral (above right), Monochrome, and Faithful picture styles.

Using the default color settings, the Olympus E-30 captures a more accurate, saturated look than the Canon 50D. The Canon’s slightly muted rendering can be easily corrected by boosting the saturation when post processing, as its default is quite low.

The Olympus EVOLT E-3o more accurately reproduces hues, showing a more faithful reproduction with slightly embellished saturation levels. Prints made directly (without any processing or adjustments) from the Olympus E-30's files will have more life and pop to them.

Advantages

Canon EOS 50D
Larger image sensor
Larger LCD, more resolution
Lower noise
Better high ISO performance
Greater Dynamic Range, handling of highlights
Wider selection of lenses
Larger viewfinder

Olympus EVOLT E-30
More accurate color reproduction
Articulated LCD
Wireless flash control
More autofocus points and faster speed
Better resolution
More compact, digital-specific lenses
Image stabilization in the camera body

Value & Conclusion
Billed as mid-range DSLRs, the Olympus EVOLT E-30 and Canon EOS 50D compete fairly directly. The cameras both supply a similar blend of speed, mechanics, and features to give them broad appeal. Their intended market ranges from first-time DSLR owners to cost-conscious pros.

Ultimately, the basic advantage of Olympus’s system centers on cost and portability, while Canon's advantage lies in the selection it has to offer. If you buy into the Canon system with the 50D, there are three potential cameras above it to grow into. In the Olympus lineup, the E-3 is the only camera above the E-30, and the technology is now dated.

Each camera has clear advantages. The Canon 50D has an edge in high ISO performance and high contrast lighting, while the Olympus E-30 is fitted with in-body image stabilization and wireless flash control, features that will make a usable difference in the field. Both the 50D and E-30 are well rounded DSLRs that warrant careful consideration. However, the decision should be as much about the system as the model.

For a side-by-side comparison of key advantages of both cameras, as well as detailed test results and a head-to-head scorecard, read the full report on the Head-2-Head Reviews website.



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7 comments so far...
  1. The colors from the Olympus E-30 look a lot "punchier". That can be tweaked easily in Photoshop, but it's interesting to see the different default looks.

    Posted by Walter August 21, 09 02:13 PM
  1. Regarding your comments on the dynamic range of the E-30, you evidently had not tried the camera at ISO 200 or above. If you had, you would have seen that the E-30 actually has almost a full stop more highlight headroom than the 50D (the highlights get clipped much sooner on the 50D).

    You might want to make note of this in your article for a slightly more representative review.

    Posted by Jeff August 31, 09 08:46 PM
  1. I have read the full review and about the resolution, the review explains the better result of the Olympus (in spite of the 3 Mpixels difference in favor of the Canon) by saying that Olympus had given an excellent optic while Canon had given a low-end one. If I have well understood, the optic used with the Olympus was the 14-42 which IS, in Olympus terms, a "low-end" optic, too. Try the E-30 with the mid-grade lenses like the 11-22, 14-54, or 12-60 and the results will be even better. Their fantastic line-up of zoom lenses is what makes their whole system (body + lenses) so attractive.

    Posted by Joseph September 1, 09 05:00 AM
  1. The E-30's built-in IS saves you money. You don't need to pay for Image Stabilization every time you purchase a new lens.

    Posted by Don Richardson September 1, 09 11:44 AM
  1. Thanks s lot, everybody, for the feedback and comments. Let me try to clarify a couple of things:

    Jeff -
    We do, in fact, test and quantify dynamic range at all ISO settings using a Stouffer transmission step wedge and Imatest image analysis software. We report the dynamic range at the base ISO sensitivity when it yields the widest tonal range (it’s generally either the base setting or just slightly above). Dynamic range, on a technical level, declines with increased noise (and thus, higher sensitivities). Our tests determined that the 50D’s advantage in dynamic range widened at higher ISOs.

    Joseph -
    In that portion of the resolution discussion, we were noting the perceived advantage in sharpness of the Zuiko all-digital kit lens, which was clear in spite of the resolution difference.

    Thanks again, and keep the comments coming ...

    Posted by Alex Burack, editor, H2H Reviews September 1, 09 06:28 PM
  1. Great balanced review. I shoot both Canon and Olympus. No amount of post-processing, including boosting saturation with Canon raw images, yields colors as pleasing and natural as those from Olympus.

    ISO noise performance on Olympus is about 1-stop worse than Canon.

    The best DR for E30 is at ISO200, not at the lowest setting.

    What lens did you use for 50D? There are many duds in the Canon lineup, including those ones carrying red L ring.

    Posted by Arun November 24, 09 05:10 PM
  1. I have the E30 since it came out. I use it w/ these lenses: 12-60mm, 50mm, 70-300mm, and the 9-18mm. I was considering the 50D and the D90 and I ended up with the E30. I am very happy with it. The Oly lenses are superb and way lighter/cheaper than the Canikon lenses and that is a lot if you are not using it only in your studio, but also on hiking, on trails, traveling, and you cannot write it off from your tax.

    If you want to see what this camera can do see my site : www.picturesbyme.zenfolio.com

    Pls, consider that I am not a pro (I use Oly right? :)), so if you know what you are doing this camera will blow your mind. The basic specs are already very good, but it has a lot more to offer in features. One is the lcd, that itself will make the difference in having THE shot or not. I have only a couple things against it:

    The price, I think, was a little high originally; however, it is pretty good now. The other thing was the lack of weather sealing. If that would be included, I wouldn't say a thing about the price.

    Posted by Attila December 2, 09 12:21 AM
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