FROM

Friends with Flair


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Photographs by Kelly Davidson

Daniel Hellman (left) and Eric Chang of Hellman-Chang relax in the new Avery Chair in Webster & Company at the Boston Design Center.

No matter how many times we visit the Boston Design Center, and we’re there a lot, there’s always something new. It could be as straightforward as a showroom opening (Romo’s fabrics and wallcoverings are pattern-heavy and stunning), as logistic as a location change (Icon Group settles into its new spot on the other end of the fourth floor), or more design-inspired such a new collection to ogle (designer Sarah Richardson’s fabrics are now carried at Kravet and Carlisle Wide Plank Flooring announced its Oyster Bay and Sunapee Lake collections, which have muted hues for wood floors with names like Afternoon Nap, Weathered Rope, and Soaring Eagle).

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New is normal, but the exquisite furniture crafted by Hellman-Chang available to the trade at Webster & Company is extraordinary. H|C was founded by Daniel Hellman and Eric Chang, friends since age 10, who design and craft beautiful tables, desks, bookshelves, and chairs at their studio in Brooklyn, New York. To photograph and interview the design duo for our “et al.” department in Design New England’s November/December issue, we visited them at the Webster showroom, the first in New England to carry the line.


The first H|C designs to make it big were from the Z collection: The pedestal table won Best of Year honors from Interior Design magazine in 2006, their pieces started showing up on the sets of Sex and the City 2 and Gossip Girl, and Boston designer Charles Fletcher chose the Z bedside table for inclusion in Design New England’s “Selections” department in the November/December 2007 issue. The newest piece in the collection, the Avery Chair, marks Hellman-Chang’s move into seating. “Being that we are self-taught designers,” says Chang, “we’ve never felt that we were designing within a specific set of rules or guidelines.” Apparently, they are heading in the right direction.

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The Avery Chair is at once sleek, dainty, and steadfast.

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The range of finishes they offer also sets H|C apart. “Our most popular has been the Espresso Walnut,” Chang says, “which has a rich color that’s still extremely versatile for different interiors.” Recently, requests have been coming in for finishes with more of a gray tone. They answered with Slate Oak and Burnished Walnut. Also, the wood species offered are available in either open-pore, for a rough look, or closed-pore, for a high-polish finish.

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Wood is available in either closed-pore to open-pore finishes and colors range from bright white to dark walnut to colors with more reddish tones.


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Drawer all have H|C’s signature aubergine liners and each handcrafted piece of furniture is identified with a label and number.

As for quality, the handmade craftsmanship speaks for itself. “Our clients can rest assured that our pieces will last generations,” says Chang. “And although we are in the world of creating beautiful products, we recognize that this is a service industry — and we pride ourselves on our ability to customize and to communicate the luxury and quality that our brand stands for.”

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A high-five outtake from the shoot.


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Jenna Talbott, Design New England’s art director, holds a light for the photographer while Hellman and Chang talk about their inspirations.


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Dignified and well dressed, Hellman and Chang know the importance of making a good impression.

Pristinely dressed and recalling how they used to build furniture as kids in their parents’ garages, they’ve got the brand thing down. As another example, for a recent ad campaign for Canali, a luxury Italian men’s clothier, they give the art of furniture making some glamour and style by working in their shop dressed in Canali suits. Take a look at the video behind that shoot, here.
All humor aside, the furniture is sophisticated and they take their work very seriously. “Design comes from a place of passion and love of product,” says Chang. “I think that when you design that way, people will recognize it, and that’s really how our pieces have created a life and voice of their own.”
Great design is always at your fingertips — read the November/December 2013 issue online!

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