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CRITICS DIFFER ON CHOICE OF SIMON FOR PRIZE
Date: Friday, October 18, 1985 Shattuck said yesterday in a telephone interview that he "esteems Simon very much," that the French writer "has earned a place as a major writer working seriously to extend the relations between language, vision and the novel form. . . . I welcome Simon to the writers of world rank." Shattuck said Simon "generally is classed with the new novelists" and that he probably is "the most serious and the steadiest" of the group. "Simon's work is technically really quite brilliant. He is very strong on visual imagery and has a kind of cinematographic concentration on detail and movements in a field of vision," Shattuck said. Shattuck added that Simon's novels are "almost cubist in terms of his multiplying the novel lines until they intersect with one another and tend to blur, so that his work requires a lot of work on the part of the reader." Ned Rorem, musical composer, diarist and former American in Paris, said that he was displeased with the choice. "When it comes to prizes there is no right choice, although with hindsight every choice appears inevitable. Most witnesses are uncomfortable, especially the losers, and even the Nobel Prize is a raffle. In honoring Claude Simon, the Nobelists now show themselves to admire the trend of form over content, which has been festering in all French art for three decades, and which at its most extreme becomes the very definition of decadence." Rorem added that if he had to choose a Frenchman for the literature prize, ''rather than making some chic choice I would have been more comfortable with Georges Simenon," the prolific writer of novels of crime and violence. Victor Brombert, Henry Putnam University Professor of Romance and Comparative Literature at Princeton, said he was "delighted" with the Simon choice. "Simon has been one of my favorites for a long time. I rate him as outstanding among his generation of writers. He is very poetic and very imaginative," Brombert said. CLAFFE;10/17,15:42 CORCOR;10/18,14:51 REACT18
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