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Design stroll through the Newport Antiques Show

July 27, 2012 09:39 PM  

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From left to right, Kate Field, landscape architect, Katherine Field & Associates, Kelli Prendergast Rugg, interior designer, KPR Interiors, Dorienne West Farzan, architectural designer, NewPort Architecture

It is high summer in Newport and a well-heeled crowd packed the Gala Preview
Party for the Newport Antiques Show last evening, on the campus of St. George’s School in Middletown. Design New England, a media sponsor of the event, strolled the aisles with three delightful Newport design professionals to see what caught their eye and hear their suggestions for incorporating antiques into home and garden designs.

The show’s 41 exhibitors and their wares made it clear that antiques – whether from the
1850s or the 1950s – have the ultimate design staying power. Here’s a recap:

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An Adirondack 1950s twig corner cupboard drew Dorienne West Farzan into the booth
of Brennan & Mouilleseaux, noting that twig is an unusual material for the form, which tends to be traditional millwork. “This could totally make a room,” said West Farzan. In the same booth, Kate Field was taken with the verticality and Giacometti-like appearance of an African wooden sculpture that stood on a table near the twig cupboard. “It has a very calming presence,” she noted.

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A collection of glass rolling pins intrigued all three designers at the booth of Sallea Antiques, where they learned from dealer Sally B. Kaltman that the English circa 1850s pins were made of “end of day” glass (factory scraps). West Farzan admired the glass material, noting that rolling pins are more common in marble or wood.

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A set of 12 Chinese watercolor paintings of butterflies in hand-decorated chinoiserie
frames stopped Rugg in her tracks, at the booth of Earle D. Vandekar of Knightsbridge. “From a decorative standpoint, anything in a series is terrific and the more the better,” noted Rugg.

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Oversize stone urns in the booth of Village Braider Antiques prompted Field to advise restraint: “If you site these pieces on piers or pedestals they become pretentious, but if you just tuck one along a path, it becomes something to be celebrated.” In the same booth, an iron doorstop in the shape of a dog also appealed to her, who is always on the lookout for good doorstops. “This would be great propping open a screen door to the garden.”

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9WICKERCOCKTAILTABLE.jpgAs cocktail hour coincided with the gala, perhaps it is no surprise that a cocktail theme emerged, represented by two fun finds: a glass and chrome 1960 table in shape of a martini glass at the booth of Marion Harris, which beguiled our design trio for both its form and function; and a wicker cocktail table big enough to hold just one drink at the booth of Antique American Wicker. On that note, it was time for a sip.

The Show, which runs from Friday-Sunday, July 27-29, benefits the Newport Historical
Society and the Boys and Girls Clubs of Newport County. Show admission is $12.

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About this blog

An insider's look at must-have products, fresh trends, and inspired spaces from the team at Design New England magazine.

Gail Ravgiala is editor of Design New England and a fan of both the region's historic architecture and its growing inventory of modern houses and public buildings.

Courtney Kasianowicz is associate editor of Design New England who scouts the area for new design, charming products, and local artisans both innovative and daring.

Jill Connors, Design New England's editor-at-large, is an antiques maven and design scout and will post about trends and discoveries in the field.

Bruce Irving, Design New England's contributing editor for architecture & building, is a renovation specialist who will share his insights on design and construction.

Estelle Bond Guralnick, Design New England's style & interiors editor, will post about interior design and interior designers and her favorite finds.

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