Now and Future Classics
The first definition of classic is “of the first or highest quality, class, or rank.” The last definition is “of or adhering to an established set of artistic or scientific standards or methods.” We think both apply to the examples we saw at our recent Spring Design Salon, where asked our presenters to discuss “Now and Future Classics: Creating designs that will stand the test of time.”
Judy O’Neil Labins of Shafer O’Neil Interior Design, our host for the evening, is an advocate of mixing old classics with newer, more modern elements as a way to create a timeless look. In one example, she used modern occasional tables with Lucite legs and bright gold tops to bring a fresh element to a room dominated by a dramatic classic painting. The room’s floral wallpaper also demonstrated her penchant for bringing elements of nature into her designs. She emphasized that the relationship between design and nature is key to creating that coveted classic look.
For Michael Collins of D. Michael Collins Architects in South Natick, Massachusetts, favorite childhood memories can be the impetus for designing a house. His goal, he said, was to take good, classic memories and designs from the past and reinvent them in a way that is functional in the 21st century. Looking forward, Collins predicts that a hardy, maintenance-free design will become a classic in the future.
Oliver Bouchier of Payne|Bouchier in Boston has a simple philosophy about creating and preserving classics: “You can’t go forward without looking back.” His company is well experienced in the reproduction, restoration, and preservation of older, classic pieces. An outstanding example is the work they have done to restore the woodcarvings of Samuel McIntire, the renown late 18th- and early-19th-century architect and woodcarver from Salem, Massachusetts. Bouchier said one way to emphasize the Federal-style architecture is by simply preserving the exquisitely detailed woodwork, which can blend beautifully with modern accents in an updated house.
On a similar note, taking cues from what has stood the test of time is the basis of Matthew Cunningham’s strategy for creating new classics. His firm, Matthew Cunningham Landscape Design of Winchester, Massachusetts, designs durable, elegant, but not overly stylized outdoor spaces that often use stone walls and classic furniture, or even a restored boot scraper by the front door, as touchstones to the past.
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Gail Ravgiala is editor of Design New England and a fan of both the region's historic architecture and its growing inventory of modern houses and public buildings.
Courtney Kasianowicz is associate editor of Design New England who scouts the area for new design, charming products, and local artisans both innovative and daring.
Jill Connors, Design New England's editor-at-large, is an antiques maven and design scout and will post about trends and discoveries in the field.
Bruce Irving, Design New England's contributing editor for architecture & building, is a renovation specialist who will share his insights on design and construction.
Estelle Bond Guralnick, Design New England's style & interiors editor, will post about interior design and interior designers and her favorite finds.