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New North Bennet Street School Already Feels Like Home

November 26, 2013 11:25 AM  

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North Bennet Street Schoolís new entrance on North Street in Boston's North End has a two-story glass facade that links two buildings of student space.

Itís just plain remarkable that the North Bennet Street School in Bostonís North End went from the cramped labyrinth of hallways and classrooms in which the institution had been operating since it opened in 1885 to a new location on the corner of North and Richmond Streets in just 20 months. Esteemed for its age-old instruction of carpentry, woodworking, jewelry making, bookbinding, locksmithing, and musical instrument construction, the school needed more space for its expanding offerings and growing number of students. With a capital campaign that raised $17.05 million and help from its many supporters, including Kennedy & Violich Architecture of Boston, the school now has 65,000 square feet of space in the form of two buildings, a former city printing plant and a former police station, connected by a gorgeous central atrium. The new facility will allow the institution to grow and better continue its mission of educating students in trade skills, said Nancy Jenner, the schoolís Director of Communications and Strategic Partnerships.

The facility opened in September, in time for the fall semester, and on a recent tour it was clear the students and faculty were taking full advantage of the functionality of the most important element of a school ó its classrooms. After only two months, it looked as if everyone was feeling right at home.

The most popular program at North Bennet Street is carpentry. The new more generous classroom space should allow the schoo to double enrollment in that discipline.
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A typical studentís workstation is tidied up at the end of each class.
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When it comes to furniture, any style can be taught ó from simple to ornate work. The possibilities are showcased in a room full of carved legs.
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Earplugs: important accessories for carpentry class time.
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Our tour guides, students in the violin making and repair program, expounded on the process of crafting the instrument, which is mostly done one whole instrument at a time. Only after the entire process is finished, with 20 coats of varnish applied, can the violin be truly judged on its sound.
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The schoolís preservation carpentry program is renown for working onsite to teach students the techniques of stabilizing, uncovering, and preserving building and architectural details. A study of framework in the preservation carpentry classroom shows the students are taught to think from the ground up.
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Only in a preservation carpentry classroom will you find a whiteboard so beautifully framed in wood.
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A typical workspace for a bookbinding student has the tools needed to explore the process of making cloth, paper, and leather bindings, as well as learn decorative finishing techniques and conservation practices.
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Great design is always at your fingertips ó read the November/December 2013 issue online!

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About this blog

An insider's look at must-have products, fresh trends, and inspired spaces from the team at Design New England magazine.

Gail Ravgiala is editor of Design New England and a fan of both the region's historic architecture and its growing inventory of modern houses and public buildings.

Courtney Kasianowicz is associate editor of Design New England who scouts the area for new design, charming products, and local artisans both innovative and daring.

Jill Connors, Design New England's editor-at-large, is an antiques maven and design scout and will post about trends and discoveries in the field.

Bruce Irving, Design New England's contributing editor for architecture & building, is a renovation specialist who will share his insights on design and construction.

Estelle Bond Guralnick, Design New England's style & interiors editor, will post about interior design and interior designers and her favorite finds.

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