Could "The Fighter" -- the big-budget movie starring Mark Wahlberg and Matt Damon and based on the life of Lowell boxing champ "Irish" Micky Ward -- be shot entirely in Massachusetts? It could if some adjustments are made to a particular tax incentive law, says state film czar Nick Paleologos. There's evidence that state incentives, created to lure film and TV production here, are working. Three major movies have been shot in Boston in the past 15 months, compared to four big-budget flicks in the previous seven years. The problem is, tax credits are limited, Paleologos says, making it less attractive to produce big-ticket blockbusters in the Bay State. "I met with some studio executives who said of our [tax credit] cap" that filmmakers are better off if they make "four $25 million movies in Massachusetts, but not one $100 million film," Paleologos said. The buzz is that "The Fighter," helmed by director Darren Aronofsky, could cost as much as $100 million to make. "If you could save $3 million and make New Haven, Conn., or a location in Rhode Island look like Lowell, wouldn't you?" Paleologos mused. "I think if we work out a few technical issues [on the tax incentive law], the flood gates could open."
Eckert happy to be No. 2
Playwright Rinde Eckert isn't disappointed that "Orpheus X," which made its world premiere at Harvard's American Repertory Theatre in 2006, didn't win the Pulitzer Prize for drama. In fact, Eckert didn't know his work was among the three finalists until a Los Angeles Times reporter called and told him on Monday afternoon. "It's a wonderful recognition, especially for something so different," Eckert said yesterday. "Had they picked it, it would have been a very controversial choice. People would have argued. . . . At least we avoid the whole argument by coming in second," he deadpanned. But the choice of South Boston native David Lindsay-Abaire's "Rabbit Hole " as the 2007 winner of the prize did come with a bit of controversy. The Pulitzer Prize board didn't pick from the three nominees chosen by the jury and instead picked Lindsay-Abaire's more traditional drama. "It's a good play. I don't think anybody should feel it's not prize worthy," Eckert said of "Rabbit Hole." "Orpheus X," which was directed by outgoing ART artistic director Robert Woodruff, was chosen for the Edinburgh International Festival, and has been talked about for a possible New York run. "It's nice to be recognized," Eckert says. "It helps get [the work] some notice."
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