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CITYSCAPES

Horticultural Hall

Demolishing fine buildings is

something Bostonians, like most

Americans, are very good at. Few

buildings have been more delightful

than the one in the old photo.

This was Horticultural Hall,

built in 1865 as the headquarters

of the Massachusetts Horticultural

Society. The building was a

marvelous pile of columns, pilasters,

brackets, arches, cornices,

pediments, dentils, statues of goddesses,

and apparently everything

else the architect could stuff into

one building. Our Victorian forebears

didn’t worry much about

overindulgence, in either their

banquets or their architecture.

The architect was the engagingly

named Gridley J. Fox Bryant.

He worked in a manner

that’s sometimes labeled by architectural

historians as the Boston

Granite Style. This was a 19thcentury

style of massive buildings

that seem to embody the power of

the rising mercantile class. You can check out Bryant’s love of

bold granite architecture in such

works as the Mercantile Wharf,

the Charles Street Jail, and especially

the flamboyant Old City

Hall, which Bryant designed in

collaboration with Arthur Gilman.

At Horticultural Hall, as at

Old City Hall, Bryant shaped his

granite into delicate motifs that he

drew from the fashionable Paris

architecture then being built under

Napoleon III. But like the

practical businessman he was,

Bryant inserted a modest ground

floor of shops beneath the two

taller floors that contained the

horticultural society’s rooms. The

shops produced income for the

society, and they enlivened the

sidewalk for pedestrians.

In both photos, we’re looking

along Tremont Street from the

corner of Bosworth Street (formerly

Montgomery Place). The

new photo is dominated by the

swelling facade of Sargent Hall of Suffolk Law School, which

opened in 1999 and was designed

by the firm Tsoi/Kobus. Sargent

is built of stone, too, in this case

limestone, but the material is used

in a contemporary manner as a

thin skin over a structural steel

frame, rather than being piled up

in solid blocks. Sargent resembles

Horticultural Hall in the way traditional

architectural motifs -- at

Sargent, those of an Italian Renaissance

palazzo -- are deployed

in a frankly theatrical way to assert

the building’s importance as a

civic institution and to suggest its

connection to a cultural past.

Tsoi/Kobus also did the new

boutique hotel Nine Zero at the

left of the photo. Between those

two, the site of Horticultural Hall

is now occupied by a modest office

building with a pub at the

sidewalk. The horticultural society

decamped in 1901 to a new,

equally lavish building in the

Fenway. 

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