Mark Twain moved to Hartford in 1871 and into his new Victorian Gothic house in 1874.
(The Mark Twain House & Museum via AP/File (Inset); Jim Jermanok)
A writer’s destination
A city devoted to Mark Twain, and much more
Mark Twain moved to Hartford in 1871 and into his new Victorian Gothic house in 1874.
(The Mark Twain House & Museum via AP/File (Inset); Jim Jermanok)
This year marks the centennial of Mark Twain’s death. There’s no better way to celebrate this great man of letters than to visit the West Hartford house he lived in for 17 years. Extend your stay by touring the home of Twain’s neighbor, Harriet Beecher Stowe, the author of “Uncle Tom’s Cabin.’’ Downtown, the Wadsworth Atheneum is undergoing renovations until 2013. However, you can still tour the monumental works of Hudson River School painters in three refurbished galleries. You should also take time to view the museum’s exciting new exhibition, “American Moderns on Paper,’’ 100 rarely seen pieces by Georgia O’Keeffe, Edward Hopper, Ellsworth Kelly, and other modern masters. Finish with an Italian meal at Salute, one of the new restaurants near Bushnell Park and you have a perfect day in oft-disrespected Hartford. Who would have thought?
Amazingly, Harriet Beecher Stowe’s more humble abode (77 Forest St., www.HarrietBeecherStowe.org, 860-522-9258) is just a short stroll away, under the tall hemlocks and past the expansive magnolia tree. Stowe moved here in 1873 with her preacher husband long after she had experienced world acclaim for writing “Uncle Tom’s Cabin’’ (1852) as well as the depths of sorrow after her 19-year-old son drowned on the Dartmouth College campus. Walk into the front parlor and peer at the many watercolors around the room and you’ll soon realize that Stowe was also an accomplished artist. Upstairs is a small chair, where the 4-foot-11-inch woman would sit. It was Abraham Lincoln who famously commented on her stature, stating, “So you’re the little lady who started this big war?’’ Also intriguing is a drug box inscribed with her name that includes arsenic, used at the time to lighten a woman’s complexion.
One glance at Georgia O’Keeffe’s ultra sensual “Slightly Open Clam Shell’’ (1926) and you’ll never look at a bucket of steamers the same way again. The pastel is part of 100 works on paper from the Wadsworth Atheneum Museum of Art collection on view through Jan. 17. Spanning 50 years, from 1910 to 1960, you’ll find a whole wall devoted to Edward Hopper, an unknown entity when the Wadsworth (600 Main St., www.wadsworthatheneum.org, 860-278-2670) rewarded the artist with his first solo show in 1928. Also in the show are wonderfully whimsical surrealist works by Yves Tanguy and Salvador Dalí. The Wadsworth is best known for its collection of 19th-century masterpieces by Thomas Cole, Frederick Church, and Albert Bierstadt. A sampling of those works can be found in the renovated galleries near the main lobby and should not be missed.
Steve Jermanok can be reached at www.ActiveTravels.com. ![]()



