After six years of shuttling between a rented farmhouse in Foxborough and their hometown of Fort Worth, Texas, New England Patriots offensive tackle Marcus Cannon and his wife, Alyssa, decided to it was time to buy in Massachusetts. “With our daughter starting kindergarten, we needed stability,’’ Alyssa says of Mady, now 6.
Following the team’s fifth Super Bowl win, in 2017, the Cannons closed on a five-bedroom house in Wrentham, down the road from Gillette Stadium. Then the college sweethearts and their children, Mady and M. J., now 4, took off for vacation, leaving Walpole-based designer Kelly McGuill to pull off a complete transformation. In seven weeks.
Alyssa had followed McGuill on Instagram and loved her chic, laid-back style. “We’re not super fancy,’’ she says. She wanted the house to feel timeless. “With football, you never know how long you’ll be around,’’ she explains. “I want the next buyers to love it as is.’’
The schedule wasn’t the only challenge. Every room was painted burgundy or marigold — or both. And then there were the murals inspired by the Tuscan countryside. It all had to go. “We basically lived there,’’ McGuill says. “But they were in by Easter.’’
The changes were cosmetic, the results profound. The house is a bright, peaceful oasis, with subtle Texan touches throughout, a nod to the family’s roots (Marcus and Alyssa met at Texas Christian University). “Sunlight flooded in once we started dismantling,’’ McGuill says. She repainted the whole interior, mainly in Benjamin Moore White Dove, refinished the kitchen cabinets, added shiplap to the side entry hall, tweaked built-ins, and hung plantation shutters.
“Sturdy’’ and “strong’’ were buzzwords on the project. “When you host Thanksgiving for the offensive line, you don’t want the furniture to break,’’ Alyssa says. “I can’t tell you how many chairs and tables we’ve gone through.’’ For the dining room, McGuill opted for a massive salvaged-pine trestle table and roomy weathered oak chairs upholstered in performance fabric, all from Restoration Hardware. The room channels McGuill’s breezy aesthetic, the heavy furniture softened by infusions of blue.
In the family room, the Cannons congregate with friends and Alyssa hosts a Bible study group with other players’ wives. McGuill hung a vintage-style sign that says “Gather,’’ purchased from a maker in Texas. A stone wall with a fireplace anchors the soaring space. Before, it was overwhelming. Now it’s a visually pleasing focal point. Says McGuill, “It took on a totally different feel once we changed the molding, painted the mantel, and hung the mirror.’’
McGuill reworked the built-ins by removing the shelves (save for the top one, which now holds vintage encyclopedias from Texas) to accommodate a television. Barn-style doors slide shut to hide the big screen. “It’s beautiful, clean, and simple, open or closed,’’ McGuill says.
The vintage leather Chesterfield sofa, a durable choice that looks even better with age, is 9 feet long and extra deep, a critical factor when the man of the house is 6 feet 6 inches and 335 pounds. It’s been especially convenient since Marcus suffered an ankle injury, which has limited his mobility and landed him on injured reserve in December. Normally, he decompresses in the media room on the lower level, where the vibe is more masculine. If you’re imagining raucous sports-fueled afternoons, however, you’re mistaken. “He’s more of a National Geographic, History Channel kind of guy,’’ his wife says.
Marcus’s job is football; his hobbies are film, painting, and music. The couple asked McGuill for a music room with a baby grand piano. The furnishings are spare: a pair of spindle chairs, an Oly bench with a cowhide cushion, and a vintage industrial shoe rack used as shelving. A jute rug adds texture, while a convex mirror and geometric pendant provide crisp accents.
The room’s black feature wall is Alyssa’s favorite part of the house. McGuill hung framed vintage sheet music of tunes including “The Yellow Rose of Texas’’ and “Deep in the Heart of Texas.’’ It’s something Alyssa had thought of doing but never mentioned to McGuill. Along with serendipitous developments like that, there were some welcome surprises, such as the vintage-style train station departure sign listing half a dozen places the Cannons have lived.
“I knew the house would be beautiful,’’ Alyssa says, “but these things I will hold on to forever.’’